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A discussion of fine-art pricing
Over the years, I have made a concerted effort to keep my art prices as low as I can. As much as possible, I sell my art by word of mouth, outside of galleries. This allows me to avoid a 40-60% markup to cover the gallery's cut (Yah, in case you didn't know, usually an artist decides how much they want to earn for their artwork and then the gallery marks it up 40-60% and the consumer pays twice as much as the art was intended to sell for). I believe that art is extremely important, and for me it is a necessity. However, I also realize that art is a luxury, and I would prefer for my artwork to hang on admirers' walls instead of my own. Pricing art is an abstract process muddled by hidden costs and nonlinear methods of creation. Time delegated to painting, drawing and other media account only for a fragment of an artist's labor, and completed artwork represents a mere fraction of the artistic process. One of the hidden costs is the countless hours artists spend fostering inspiration. Sometimes this inspiration presents itself with minimal effort - maybe while drinking a cup of coffee. Conversely, this inspiration can also take a lifetime to realize. Should an artist be lucky enough to find inspiration, they will undoubtedly encounter creative blocks. This creative process is unique for each individual artist and for me it changes with each creation. It is simultaneously exhausting and wonderful and is what ultimately brings life to art.
In conclusion, art is difficult and time consuming. Be it as it may, in keeping with my goal of making my art more affordable, I am now producing prints of my original artwork. After much searching, I found a superb printer who does justice to my original artwork with limited edition giclee (zhee-klay) prints. A giclee print is a high-quality, archival reproduction. This means that each component of the reproduction process, including the paper, the ink, and the printing, is of the utmost quality. The combination of exceptional pigment based inks and thick, archival paper produces a print almost indistinguishable from the original. Furthermore, the archival printing process maintains the quality of the print for hundreds of years - especially if it is framed well. Each of my prints is hand signed, numbered, and I also include additional unique hand drawn markings on each print.
About my art
How To PurchasePlease look below each image for options. Immediately below the image is a description of the art: title, size (in inches), and price of originals and prints. Below that is a tab for choosing the type you're interested in. Many of the originals are already sold. If so, it is listed as "SOLD" below the image. Make sure you choose the correct option depending on your preference for framed or unframed. Everything is handled through Paypal. After receiving the payment, Paypal notifies me, and I will ship your art. It can take up to two weeks to receive your print. If you have any questions, please contact me at firstname.lastname@example.org. Please enjoy.
I make my own handmade, finely crafted frames. They are constructed with poplar wood, reinforced beautiful splinted miter joints, and plexiglass. The illustrations are floating on 1/4 inch foam core, creating a wonderful shadow and contrast. Smaller prints are listed with a "framed" option for an additional cost. I have chosen not to include a "framed" option for the larger illustrations due to the cost of shipping which can be cost prohibitive. However, if you are interested in a larger print with a frame, please contact me for pricing. While I believe that my frames complement my art very well, I understand that framing is expensive - materials and labor add up! If you purchase an unframed print, I encourage you to find a nice frame! The print will look much nicer on your wall and it will last much longer.
|Saturated Snowpatch - 22" x 14" (prints/ original (SOLD) |
|Saturated Needles (The Needles, CA) - 22" x 14" (prints: $120 / original (SOLD): $275) |
|The Valley Saffron (Yosemite) - 22" x 14" (prints / original (SOLD) |
|Pingora - 22" x 14" (prints / original(SOLD)) |
|Luminous Liberty Bell - 22"x14" (prints: $120 / original : $300)
|Rockfellow Group (Cochise) - 22" x 13" (prints: $115 / original (SOLD): $275) |
|Saturated Dome - 20" x 13" (prints: $115 / original (SOLD) |
|Cirque Dreams - 20"x 13" (prints $115 / original (SOLD) |
|Sapphire Tetons - 22"x14" -(prints: $115 / original: (SOLD) $275)|
|Diamond Dreams #1 - 15" x 11.5" (print:$110 / original:$275(SOLD)|
|Saturated Cathedrals - 16.5" x 10.5" (print:$110 / original: SOLD)|
|House Range - 22" x 13" (prints: $115 / original: $275)|
|Dreaming of Patagonia - 22" x 12" (print:$120 / original:$275 ) |
|"Wild Iris" (International Climbers' Festival poster - 2014) - 13" x 15" (prints: $100 / original (SOLD): $215|
|Cathedral Journal - 11" x 9" ( print:$85 / original(SOLD) |
|Three Patriarchs - 12" x 9" (original: $150 / print:$90) |
|The Diamond (2011 Access Fund t-shirt) 14" x 8.5" (original:SOLD / print:$85)|
|original:$450 / prints: $215 |
|original: $450 / prints: $215 |
|original: $450 / prints: $215 |
|Prints and original |